Analysis of information sources in references of the Wikipedia article "No Maps for These Territories" in English language version.
Most recently, Gibson has been featured in Mark Neale's independent film, No Maps for These Territories (2000), in which the laconic southerner's personality comes sharply into focus. The film in some sense brings Gibson full circle: it follows him and Neale as they travel across the country in a limousine, observing and commenting on the state of change as the world rushes deeper into a computer-driven future. The real Gibson, as seen in the film, displays none of the frantic nervousness of his prose, but instead proves to be rail-thin, quiet, slow-talking South Carolinan in his forties, a writer who admits some embarrassment about the juvenile overtones of his earliest novels. But he also remains a thinker, still focused on his career's guiding themes.
Most recently, Gibson has been featured in Mark Neale's independent film, No Maps for These Territories (2000), in which the laconic southerner's personality comes sharply into focus. The film in some sense brings Gibson full circle: it follows him and Neale as they travel across the country in a limousine, observing and commenting on the state of change as the world rushes deeper into a computer-driven future. The real Gibson, as seen in the film, displays none of the frantic nervousness of his prose, but instead proves to be rail-thin, quiet, slow-talking South Carolinan in his forties, a writer who admits some embarrassment about the juvenile overtones of his earliest novels. But he also remains a thinker, still focused on his career's guiding themes.
Most recently, Gibson has been featured in Mark Neale's independent film, No Maps for These Territories (2000), in which the laconic southerner's personality comes sharply into focus. The film in some sense brings Gibson full circle: it follows him and Neale as they travel across the country in a limousine, observing and commenting on the state of change as the world rushes deeper into a computer-driven future. The real Gibson, as seen in the film, displays none of the frantic nervousness of his prose, but instead proves to be rail-thin, quiet, slow-talking South Carolinan in his forties, a writer who admits some embarrassment about the juvenile overtones of his earliest novels. But he also remains a thinker, still focused on his career's guiding themes.
