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Promptuarium Iconum Insigniorum (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Promptuarium Iconum Insigniorum" in English language version.

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academia.edu

  • Davis, Natalie Zemon (1966). "Publisher Guillaume Rouillé, Businessman and Humanist". In Schoeck, Richard J. (ed.). Editing Sixteenth-Century Texts: Papers Given at the Editorial Conference, University of Toronto October 1965. Toronto: University of Toronto Press. ISBN 9781487582128. Archived from the original on January 1, 2023. Retrieved October 29, 2024 – via Academia.edu.
  • Andreoli, Ilaria (2006). "La storia 'in soldoni': il Promptuaire des medalles di Guillaume Rouillé" [History 'in a nutshell': Guillaume Rouillé's Promptuaire des medalles]. In Rozzo, Ugo; Gabriele, Mino (eds.). Storia per parole e per immagini [History in words and pictures] (in Italian). Udine: Forum. Archived from the original on January 1, 2023. Retrieved December 29, 2022 – via Academia.edu.

archive.org

  • Public Domain This article incorporates text from this source, which is in the public domain: Baudrier, Henri-Louis; Baudrier, Julien; Tricou, Georges (1912) [1895]. Bibliographie lyonnaise: recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle par le Président Baudrier, publiées et continuées par J. Baudrier [Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by President Baudrier, published and continued by J. Baudrier] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 207. OCLC 6966263. Retrieved December 29, 2022 – via Internet Archive.
  • Cunnally, John (1999). Images of the Illustrious: the Numismatic Presence in the Renaissance. Princeton University Press. ISBN 9780691016689. Retrieved August 29, 2023 – via Internet Archive.
  • Baudrier, Henri-Louis; Baudrier, Julien; Tricou, Georges (1912) [1895]. Bibliographie lyonnaise: recherches sur les imprimeurs, libraires, relieurs et fondeurs de lettres de Lyon au XVIe siècle par le Président Baudrier, publiées et continuées par J. Baudrier [Bibliography of Lyon: Research on the printers, booksellers, bookbinders, and founders of letters in Lyon in the 16th century by President Baudrier, published and continued by J. Baudrier] (in French). Vol. 9. Lyon: Librairie ancienne d'Auguste Brun. p. 204. OCLC 6966263. Retrieved December 29, 2022 – via Internet Archive.
  • Public Domain This article incorporates text from this source, which is in the public domain: Rouillé, Guillaume (1553). "Gulielmus Rovillius lectori" [Guillaume Rouillé to the reader]. Prima pars Promptuarii iconum insigniorum à seculo hominum, subiectis eorum vitis, per compendium ex probatissimis autoribus desumptis [The first part of the storehouse of images of the more notable men from the beginning of time, with their biographies subjoined, taken in abbreviated form from the most approved authors.] (in Latin and Ancient Greek). Lyon: Guillaume Rouillé. OCLC 716696497. Retrieved August 25, 2023 – via Internet Archive. Cæterùm ne quis lege Cornelia nos falsi arguat, quod commentitias, seu factitias quasdam figuras velut adulterina numismata in publicum sparserimus: concedatur confessioni venia: εις το γαρ αδυνατον ουτις αναρτωται. Priscorum enim hominum qui ante diluvium, & ante inventas pingendi, & scalpendi artes vixisse memorantur. Ut Adæ, Abrahæ, & Patriarcharum εικωνας non negamus à nobis fuisse per imaginationem effictas: & cum nullum haberemus Prototypum ex descripta eorum Natura, moribus, ætate, regione & rebus gestis φανταστικως fuisse conformatas. [However, lest anyone accuse us of falsification according to the Lex Cornelia—that we have scattered false or invented images like counterfeit coins among the public: let pardon be granted to our confession (for no one is bound to do the impossible). For in the case of the men of ancient times who are said to have lived before the Flood and before the invention of the arts of painting and carving, for example Adam, Abraham, and the Patriarchs, their images we do not deny have been created by us imaginatively: and since we had no model, the images have been shaped from the description of their nature, from their manners, age, region, and deeds, by imagination.]

armstronginstitute.org

  • Eames, Christopher (April 13, 2023). "B.C./A.D. or B.C.E./C.E.?". Armstrong Institute of Biblical Archaeology. Archived from the original on March 1, 2024. Retrieved September 12, 2024.

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jstor.org

  • Perkinson, Stephen (2002). "From an 'Art De Memoire' to the Art of Portraiture: Printed Effigy Books of the Sixteenth Century". Sixteenth Century Journal. 33 (3). doi:10.2307/4144020. JSTOR 4144020.
  • Chatzidakis, Michail (2010). "Ciriacos Numismata und Gemmae. Die Bedeutung der Münz- und Gemmenkunde für die Altertumsforschungen des Ciriaco d'Ancona" [Ciriaco's Numismata and Gemmae. The Importance of Numismatics and Gemology for the Archeology of Ciriaco d'Ancona]. Mitteilungen des Kunsthistorischen Institutes in Florenz (in German). 54 (1). Kunsthistorisches Institut in Florenz: 40. ISSN 0342-1201. JSTOR 41414764. [...] eben ein solches Bild der behelmten Athena von einer mazedonischen Goldmünze als Vorlage für sein Alexanderporträt [...]

merriam-webster.com

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wikidata.org

  • 19th-century Lyonnais bibliographer Henri-Louis Baudrier abbreviated the Latin edition title as Promptuarium iconum,[6] while Italian painter and antiquarian Riccardo Nobili shortened it as Promptuarium iconum insigniorum a seculo hominum in his 1922 text.[7] The noun promptuarium (Latin for 'storehouse' / 'repository') was a term medieval authors often used to name their lexicographical works.[8] Art historian John Cunnally [wikidata] speculated that Rouillé picked such a term because thesaurus, which would have been a more common term for a portrait book, had been used by Jean de Tournes—who was Rouillé's primary rival in the Lyonnais publishing business—for another portrait book's title.[5]: 98 

wikipedia.org

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wiktionary.org

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  • 19th-century Lyonnais bibliographer Henri-Louis Baudrier abbreviated the Latin edition title as Promptuarium iconum,[6] while Italian painter and antiquarian Riccardo Nobili shortened it as Promptuarium iconum insigniorum a seculo hominum in his 1922 text.[7] The noun promptuarium (Latin for 'storehouse' / 'repository') was a term medieval authors often used to name their lexicographical works.[8] Art historian John Cunnally [wikidata] speculated that Rouillé picked such a term because thesaurus, which would have been a more common term for a portrait book, had been used by Jean de Tournes—who was Rouillé's primary rival in the Lyonnais publishing business—for another portrait book's title.[5]: 98 

worldcat.org

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