Ray Lynch (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Ray Lynch" in English language version.

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  • Van Ness, Chris (August 1989). "New Age's Renaissance Man". CD Review. 6 (12): 40. Retrieved February 28, 2017. Now at 45, Lynch became hooked on music early. 'I remember being very moved, at the age of 3 or 4, by some of the music I heard in church, and later by music from the movies. Also, I was influenced by my mother, who was a good amateur pianist.'
  • Van Ness, Chris (August 1989). "New Age's Renaissance Man". CD Review. 6 (12): 40. Retrieved February 28, 2017. at age 12, however, he took up classical guitar. He studied under guitarist Eduardo Sainz de la Maza in Barcelona in the early 1960s, and later attended the University of Texas in Austin to study composition.
  • Van Ness, Chris (August 1989). "New Age's Renaissance Man". CD Review. 6 (12): 40. Retrieved February 28, 2017. In '67, Lynch was invited to become lutenist with the Renaissance Quartet in New York. He spent seven years performing with the Quartet and other groups, building a name within the Big Apple's "Early Music" scene. In the mid-'70s, he left it all behind to move to California and reexamine his goals, working as a carpenter and as an industrial purchasing agent while continuing to hone his compositional skills.
  • "Renaissance Quartet". Billboard. Vol. 79, no. 7. Nielsen Business Media, Inc. February 18, 1967. p. 74. Retrieved March 13, 2017.
  • Musical America: Directory of the performing arts. Billboard Publications. 1972. p. 58. Retrieved January 22, 2018. The management continues as well to present the Festival Winds; tenor Hugues Cuenod; soprano Jean Hakes; Raymond Lynch, lute; and Albert Fuller, harpsichord.
  • The Encyclopedia of Popular Music: Kollington – Morphine (4 ed.). MUZE. 1998. p. 384. ISBN 9780195313734. Retrieved April 17, 2017. Purchasing a 125-acre farm in Maine, Lynch concurrently toured the country giving virtuoso solo performances...
  • Van Ness, Chris (August 1989). "New Age's Renaissance Man". CD Review. 6 (12): 40. Retrieved February 28, 2017. By 1980, the synthesizer age was developing, and Lynch began experimenting with an Arp model he bought with 'borrowed money'.
  • Feuerstein, Georg (December 1, 1984). Humor Suddenly Returns: Essays on the Spiritual Teaching of Master Da Free John. Dawn Horse Press. p. 212. ISBN 9780913922927. Retrieved April 2, 2017.
  • Mayfield, Geoff (October 25, 1986). "Indies". Nielsen Business Media, Inc. pp. N-4, N-20. Retrieved March 19, 2017.
  • Freeman, Kim (June 22, 1985). "Featured Programming". Nielsen Business Media, Inc. Retrieved March 19, 2017.
  • Jeffery, Don (February 5, 1994). "Billboard". Nielsen Business Media, Inc. p. 62. Retrieved August 17, 2016.
  • Christman, Ed (14 November 1992). "Windham Hill". Nielsen Business Media, Inc. Retrieved 17 August 2016.
  • "New Age Leaders". CD Review. 10 (12): 24. August 1994. Retrieved March 1, 2017.
  • "New Age Journal". New Age Journal. 15 (2–6): 99. 1998. Retrieved 17 August 2016.
  • Van Ness, Chris (August 1989). "New Age's Renaissance Man". CD Review. 6 (12): 40. Retrieved February 28, 2017. Still, Lunch is uncertain about where his music belongs. 'I would say that 'classical' would be the best category for me,' he says with some reservation. 'It's just that I'm not dead, and I'm not a contemporary experimenter who can be easily labeled. I don't really mind the 'new age' label, but I don't like being grouped with music that I feel is, in general, pretty mediocre and boring.'
  • "New Age Nostrum". Life. Vol. 11, no. 2. February 1988. pp. 108–111. Retrieved April 2, 2017. Ray Lynch, a classically trained composer and synthesist, is a follower of Da Love-Ananda...'the spiritual worth of any given piece has to be judged subjectively by the listener, not the composer,' says Lynch, 44.

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  • Biehl, Kathy (October 1989). "Calm Yourself". ABA Journal. 75 (10): 122. Retrieved February 2, 2018. ...try anything by Stephen Halpern or Ray Lynch (who is, coincidentally, the son and brother of lawyers) or Kay Gardner's "Rainbow Path."

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  • "While Elvis is rolling over". Santa Cruz Sentinel. August 5, 1994. p. 35. Retrieved February 27, 2017. Ray Lynch, who with his 1984 album "Deep Breakfast" practically defined New Age music, is now saying, no, he is not a New Age composer.
  • Strachan, Alex (October 19, 1993). "Love for music can be deadly". The Vancouver Sun. p. E2. Retrieved October 23, 2022.
  • Means, Andrew (May 30, 1989). "Ray Lynch prefers studios to stages for his harmonics". The Arizona Republic. 100 (12): 18–19. Retrieved March 13, 2017. After considering other options at college, Lynch decided to become a professional musician. Composition could not provide a viable living, he decided, so in 1967, he accepted an invitation to play the lute with the Renaissance Quartet, based in New York.
  • Means, Andrew (May 30, 1989). "Ray Lynch prefers studios to stages for his harmonics". The Arizona Republic. 100 (12): 18–19. Retrieved March 13, 2017. Eventually, he moved to Maine, and it was there he had the spiritual crisis that took him West.
  • Means, Andrew (May 30, 1989). "Ray Lynch prefers studios to stages for his harmonics". The Arizona Republic. 100 (12): 18–19. Retrieved March 13, 2017. All in all, it's been quite a turnaround for a man who moved across country in the mid-'70s resigned to a change of career. 'I thought the music was over,' said Lynch, who had been playing in a group that performed medieval and Elizabethan music in New York and New England. 'I was just ready to lead an ordinary life and be a carpenter.'
  • Means, Andrew (May 30, 1989). "Ray Lynch prefers studios to stages for his harmonics". The Arizona Republic. 100 (12): 18–19. Retrieved March 13, 2017. A 'spiritual and personal crisis' in which he felt he was at a dead end led Lynch to the West Coast. Once there, he studied the work of American spiritual teacher and author Love-Ananda (also known as Dafree John), and eventually Love-Ananda suggested that Lynch return to music.
  • "TV Highlights". Victoria Advocate. August 25, 1989. p. 38. Retrieved October 23, 2022.
  • Means, Andrew (May 30, 1989). "Ray Lynch prefers studios to stages for his harmonics". The Arizona Republic. 100 (12): 18–19. Retrieved March 13, 2017. Many of the titles on Deep Breakfast and No Blue Thing come from The Mummery, Love-Ananda's unpublished novel. Lynch said the novel is about "the transcendence of the ego," and it may be published this year. [...] Despite the references to Love-Ananda's book, Lynch said he's not trying to promote a particular philosophy through the music.

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  • Strongin, Theodore (December 22, 1969). "Janus Chorale in a Mixed-Media Concert". The New York Times. Retrieved March 12, 2017. The Renaissance Quartet (Raymond Lynch, lute; Barbara Mueser, viola de gamba, Morris Newman, recorder, and Jean Hakes, soprano, substituting for Robert White, tenor) also played and sang like angels.

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  • Reinthaler, Joan (February 5, 1969). "Old Music Gets New Sound". The Washington Post. Retrieved April 2, 2017. Last night at the Smithsonian tenor Hughes Cuenod and lutenist Raymond Lynch collaborated on a program of early music. None of it was written after 1640.

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  • Yanow, Scott (August 1987). "Fine Instrumental Cuisine from Ray Lynch". Cymbiosis. 1 (3). West Covina, California: 22–23, 41. ISBN 9780793556878. ISSN 0895-6936. OCLC 16743840. Born 3 July 1943 in Salt Lake City...'With my wife and kid I moved to Barcelona, Spain to study with a very good teacher, Eduardo Sainz de la Maza, for 3 years.'{{cite journal}}: CS1 maint: periodical has ISBN (link)

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  • "Tickertape" (PDF). Cash Box. June 3, 1989. p. 2. Retrieved December 11, 2023 via World Radio History. Lynch doesn't cozy to the new age tag, but we're stumped for what else to call his witty, electronic keyboard classicisms.
  • McCormick, Moria (June 3, 1989). "No Quick 'Blue Thing'" (PDF). Billboard. Vol. 101, no. 22. Retrieved December 11, 2023 via World Radio History. The Marin County, Calif., resident initially released "Deep Breakfast" on his own label, Ray Lynch Productions, "shipping out of my living room, until Music West took over two years ago." In fact, says Lynch, Music West president Allen Kaplan 'started the company based on discussions with me. Now they have about half a dozen different artists.'
  • "The Year in Music 1990" (PDF). Billboard. Vol. 102, no. 51. December 22, 1990. p. YE-26. Retrieved December 11, 2023 via World Radio History.
  • "Top New Age Artists" (PDF). Billboard. Vol. 101, no. 51. December 23, 1989. p. Y-46. Retrieved December 11, 2023 via World Radio History.
  • Kaplan, Allan (June 30, 1990). "Making the Waves of the Future" (PDF). Billboard. Vol. 102, no. 26. p. W-30. Retrieved December 11, 2023 via World Radio History. Since then, Ray has been played on over 3,000 radio stations around the world. He has been on "Good Morning America," Spanish television, National Public Radio programming, and played on many international radio stations around the world.
  • Russell, Deborah (July 6, 1991). "New Age Act Ray Lynch Exits Music West In Pact Dispute" (PDF). Billboard. p. 76. Retrieved December 11, 2023 via World Radio History.
  • "The Sun Sets On The Music West label; Jazz-Sampler Discovery; Couple Of Confabs" (PDF). Billboard. July 18, 1992. p. 45. Retrieved December 11, 2023 via World Radio History.
  • "Court Order Restrains Music West On Lynch Titles" (PDF). Billboard. October 19, 1991. p. 51. Retrieved December 11, 2023 via World Radio History.
  • Miller, Trudi (September 12, 1992). "Windham Hill Reissuing Lynch Catalog" (PDF). Billboard. Retrieved December 11, 2023 via World Radio History.
  • "Top New Age Albums" (PDF). Billboard. March 21, 1998. p. 46. Retrieved December 11, 2023 via World Radio History. Week 2; from March 14, 1998
  • "Top New Age Albums" (PDF). Billboard. April 18, 1998. p. 36. Retrieved December 11, 2023 via World Radio History. Week 7
  • "Top New Age Albums" (PDF). Billboard. May 2, 1998. p. 39. Retrieved December 11, 2023 via World Radio History. Re-entry; Week 8