Slipknot (band) (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Slipknot (band)" in English language version.

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  • "Nicky Kingsbury-Williams On Interviewing Sid Wilson of Slipknot". Bimm.co.uk. October 25, 2017. Archived from the original on November 13, 2018. Retrieved February 16, 2021. Sid Wilson on whom he would like to interview: I reckon Mike Patton would be an extremely interesting person to interview. He's probably got a lot of great stories to tell. He's definitely a hero of mine. Fingers crossed!

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  • Nijssen, Bart (December 20, 1999). "Slipknot". KindaMuzik. Amsterdam, Netherlands. Archived from the original on August 16, 2016. Retrieved September 26, 2018.

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  • "Shawn "Clown" Crahan Reveals Joey Jordison Wasn't a Founding Member of Slipknot". metalsucks.net. February 13, 2024. Retrieved February 15, 2024.
  • "Slipknot's All Hope is Gone: Another Step in a New Direction". MetalSucks. August 25, 2008. Retrieved September 3, 2015.

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  • Peters, Mitchell (July 19, 2008). "Chaos Theory: With a New Album Dropping and a Sweet Spot on the Mayhem Tour, Slipknot Reveals the Method to Its Madness". ProQuest 1021902.

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  • Lach, Stef (November 22, 2016). "Slipknot to begin writing new music in early 2017". Retrieved March 4, 2017.
  • Stocks, Matt (June 21, 2016). "Joey Jordison's Top 10 Best Drummers Of All Time". Teamrock.com. Archived from the original on June 22, 2016. Retrieved February 16, 2021. Joey Jordison: Fantômas are the ultimate supergroup, too. When I first heard about them I was like, 'That's my dream band right there. Mike Patton, Buzz Osbourne, Trevor Dunn and Dave Lombardo; it doesn't get any better than that.' I watched them play live at The Troubadour [legendary nightclub in West Hollywood, California] when we were making the first Slipknot record, and I can't even put into words what I saw that night. It was the most insane fucking show I've ever seen; it was magic. You always see one show in your life that you think, 'I wish I could go back and relive that', and that's the show I wish I could go back and see, at The Troubadour in 1998. Of course I've seen Slayer live a bunch of times, and Slayer are one of my favourite bands of all time, but that Fantômas gig showed me that no one can touch that man. So Lombardo is my ultimate drum hero.
  • Stocks, Matt (June 21, 2016). "Joey Jordison's Top 10 Best Drummers Of All Time". teamrock.com. Archived from the original on June 22, 2016. Retrieved February 3, 2017.

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  • "Interview with Shawn, Corey, Sid, James and Paul". 9fingers. Archived from the original on January 13, 2021. Retrieved February 16, 2021. Question to Shawn Crahan: Whose musical career do you most admire, and why (apart from your own)?
    Shawn Crahan: We like Mike Patton a lot because he is just a music genius, he is able to reach out and do a bunch of other things without worrying about the industry. He'll put out a Bungle album that will be crazy and then the next Bungle album will be like a bunch of love songs, and he does it 'cos he needs to and he'll put out an album about pasta recipes - ... Slipknot likes people who stay true to their hearts-Picasso and van Gogh and Cézanne never made any money when they were doing Impressionism. Cézanne was [not] selling still lifes for food or money, he painted because he had to paint and because he loved to paint.

    Corey Taylor after being asked about Mike Patton: ... Plus the Fantômas album, it's so good, dude. It's a very acquired taste. We had the privilege of seein' them live when we recorded our album. We were just blown away. We bought the album when it came out and it was exactly like it was on stage, man. If you can, definitely check it out. And listen to it with an open fucking mind. It makes Bungle look like Lawrence Welk. It's that fucked-up.

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  • Lorentz 2011, pp. 108: Lors de leur première tournée en 1991, les membres de Mr Bungle dissimulaient d'ailleurs leurs visages derrière d'étranges masques, tandis que la pochette de leur premier album éponyme, qui affichait un visage de clown, dévoilait d'obscures pseudonymes en lieu et place de leurs vrais noms. Une attitude qui a peutêtre bien attiré l'attention des membres de Slipknot... Lorentz, Christophe (June 2011). Slipknot: La monstrueuse parade [Slipknot: The monstrous parade] (in French). Camion blanc. ISBN 2357794070.
  • Lorentz 2011, pp. 32–34, 108: Musicalement, Mate.Feed.Kill.Repeat. est un disque hétérogène (voire brouillon) et relativement déconcertant, mais qui marque néanmoins par sa folie, sa rage et son caractère imprévisible, même si l'on y ressent les très nettes influences de Sepultura, Faith No More et Slayer. ... Par ailleurs, il est clair que certains morceaux de Mate. Feed. Kill. Repeat. évoquent l'autre projet musical de Mike Patton: Mr Bungle. ... «Do Nothing/Bitchslap» est la première grosse surprise du CD: ... Mais l'on y décèle surtout l'influence énorme de Mr Bungle, l'un des projets barjots de Mike Patton (ex-leader de Faith No More), dont la spécialité est de zapper en permanence entre des styles totalement opposés (salsa, hardcore, funk, grind, free jazz, punk, thrash). L'influence de Mike Patton et Faith No More se fait également sentir sur «Only One», morceau court qui démarre comme un titre de fusion à la Red Hot Chili Peppers, avec basse slappée, guitare funk et chant rappé, avant d'embrayer sur un son metal plus massif et un refrain entêtant propice au headbanging, entrecoupe par un break ou l'on entend un son semblant sortir d'une gorge étranglée! ... Titre suivant sur le CD, «Confessions» pousse le mimétisme avec Faith No More encore plus loin, puisque l'alternance entre chant grave et montées lyriques (toujours un peu faiblardes néanmoins) rappelle nettement les délires vocaux de Mike Patton, le tout sur une base jazzfunk énergique mais où les percussions se font plus cool, la basse et la guitare plus groovy, et où le solo de gratte s'invite à nouveau à la fête. Encore un titre étonnant, surtout lorsqu'on connaît le Slipknot d'aujourd'hui. Lorentz, Christophe (June 2011). Slipknot: La monstrueuse parade [Slipknot: The monstrous parade] (in French). Camion blanc. ISBN 2357794070.
  • Lorentz 2011, pp. 108, 159: Un peu perdus par le style composite de l'album Slipknot, certains critiques ont aussi rapproché la démarche musicale du combo de l'Iowa de celle de Faith No More, le groupe qui a rendu célèbre le délirant chanteur Mike Patton. ... [Vol. 3: (The Subliminal Verses):] Édité par American Recordings et produit par Rick Rubin, cet excellent album (bien qu'un peu long) dévoile un mélange complexe de néometal et de rock, industriel, alternant rage et mélodies lyriques, comme une version survitaminée de Faith No More alliée au Marilyn Manson d'Antichrist Superstar. Lorentz, Christophe (June 2011). Slipknot: La monstrueuse parade [Slipknot: The monstrous parade] (in French). Camion blanc. ISBN 2357794070.

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  • Loeffler, Shawn (September 30, 2010). "Slipknot: "All Hope is Gone" & "Psychosocial"". Yell!. Archived from the original on January 22, 2016. Retrieved July 23, 2015. Fans will also be happy to see that Slipknot has made good on their promise of putting out an album that ranks among their heaviest, and one that expands on their thrash metal guitar work and vocal melodies.

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