Steve Reich (English Wikipedia)

Analysis of information sources in references of the Wikipedia article "Steve Reich" in English language version.

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allmusic.com (Global: 27th place; English: 20th place)

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brainwashed.com (Global: low place; English: 8,535th place)

  • "Sad". Brainwashed.com. Retrieved October 16, 2011.

britannica.com (Global: 37th place; English: 64th place)

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columbia.edu (Global: 554th place; English: 368th place)

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  • "Instagram". www.instagram.com. Retrieved May 28, 2026.

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rollingstone.com (Global: 57th place; English: 39th place)

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  • Cott, Jonathan (1996). "Interview with Steve Reich". The Steve Reich Website. Archived from the original on May 9, 2022. Retrieved March 28, 2022. Actually, I wrote a thesis criticizing Gilbert Ryle for criticizing Wittgenstein.
  • Reich, Steve. "Biography". Stevereich.com. Archived from the original on March 9, 2009. Retrieved February 26, 2018.
  • John Adams: "...For him, pulsation and tonality were not just cultural artifacts. They were the lifeblood of the musical experience, natural laws. It was his triumph to find a way to embrace these fundamental principles and still create a music that felt genuine and new. He didn't reinvent the wheel so much as he showed us a new way to ride." See for instance the articles section of the "Steve Reich Website". Retrieved January 31, 2010.
  • "Questions from Anne Teresa de Keersmaeker & Answers from". Steve Reich. May 26, 2008. Retrieved February 25, 2023.

stylusmagazine.com (Global: 3,957th place; English: 2,233rd place)

telegraph.co.uk (Global: 40th place; English: 27th place)

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  • Mitchell, David (July 1, 2011). "A Conversation with Brian Eno". The Believer. Archived from the original on September 7, 2025. Retrieved March 2, 2026. My version of ambient was the coalescence of lots of different streams. Some of them were musical, others not. The musical threads I picked up would include Satie, of course, but also the early experiments of Steve Reich, Terry Riley, and the other minimalist composers of the late '60s—all of whom were looking at music as a "steady state" rather than a narrative experience.

theface.com (Global: 6,910th place; English: 4,013th place)

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theguardian.com (Global: 16th place; English: 11th place)

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