Hesselink, Jasper (April 2005). “The Dillinger Escape Plan”. www.lordsofmetal.nl. December 28, 2017時点のオリジナルよりアーカイブ。February 15, 2018閲覧。 “Ben Weinman: When we first started playing in a band, we listened to a lot of bands ... even Black Flag and Dead Kennedys, who had something to say and added some honest energy.”
Butterworth, Scott. “The Brilliance Behind Converge’s Unintelligible Lyrics”. Noisey. February 26, 2018時点のオリジナルよりアーカイブ。February 26, 2018閲覧。 “Jacob Bannon loves to wax poetic, so when his opaque elegies suddenly turn to simple, direct metaphors, it’s almost like your parents calling you by your full name: you stop, you notice, you listen.”
Hesselink, Jasper (April 2005). “The Dillinger Escape Plan”. www.lordsofmetal.nl. December 28, 2017時点のオリジナルよりアーカイブ。February 15, 2018閲覧。 “Ben Weinman: When we first started playing in a band, we listened to a lot of bands ... even Black Flag and Dead Kennedys, who had something to say and added some honest energy.”
Sergeant D. “THE HISTORY OF METALCORE/SCREAMO”. MetalSucks. June 10, 2010時点のオリジナルよりアーカイブ。February 25, 2018閲覧。 “While not as frequently discussed these days, the so-called “noisecore” bands of the 90s were perhaps an even more direct influence on today’s shitty metalcore artists. Rorschach and their descendants Deadguy were perhaps the first band to put a discordant take on the post-Slayer metalcore formula, [...]”
Gardner, Josh. “Kurt Ballou (Converge) talks gear and guitars”. MusicRadar. October 7, 2011時点のオリジナルよりアーカイブ。February 24, 2018閲覧。 “Kurt Ballou: [We] also discovered punk and hardcore through skateboarding, and in turn these local bands such as Slapshot, Terminally Ill and DYS and I think we had some of the same intensity and motivation.”
“Dillinger Escape Plan Guitarist Talks New Album And Papa Roach”. Rock Sound. April 13, 2015時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Ben Weinman: When I was growing up I discovered metal and it interested me, I liked that it was dark and talked about the fact that the world is not all puppy dogs and ice cream cones. But then it just got ridiculous, humourous, I look at black metal bands and they are suppose to be so evil. But it's not real. It's about fiction. About goblins and the gates of hell, pretty much a bad horror movie.”
Svitil, Greg (1996年). “Jacob Bannon (Converge)”. Veilsofteeth.com. February 23, 2018時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Jacob Bannon: I feel that [bands such as] Slayer are the Spinal Tap of metal. There’s nothing to them. They’re just there, and they’re just a band that likes to write heavy, scary things. And there’s really not an emotional depth to anything they really do. It’s just all for shock value.”
vice.com
noisey.vice.com
Butterworth, Scott. “The Brilliance Behind Converge’s Unintelligible Lyrics”. Noisey. February 26, 2018時点のオリジナルよりアーカイブ。February 26, 2018閲覧。 “Jacob Bannon loves to wax poetic, so when his opaque elegies suddenly turn to simple, direct metaphors, it’s almost like your parents calling you by your full name: you stop, you notice, you listen.”
Svitil, Greg (1996年). “Jacob Bannon (Converge)”. Veilsofteeth.com. February 23, 2018時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Jacob Bannon: I feel that [bands such as] Slayer are the Spinal Tap of metal. There’s nothing to them. They’re just there, and they’re just a band that likes to write heavy, scary things. And there’s really not an emotional depth to anything they really do. It’s just all for shock value.”
“Dillinger Escape Plan Guitarist Talks New Album And Papa Roach”. Rock Sound. April 13, 2015時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Ben Weinman: When I was growing up I discovered metal and it interested me, I liked that it was dark and talked about the fact that the world is not all puppy dogs and ice cream cones. But then it just got ridiculous, humourous, I look at black metal bands and they are suppose to be so evil. But it's not real. It's about fiction. About goblins and the gates of hell, pretty much a bad horror movie.”
Gardner, Josh. “Kurt Ballou (Converge) talks gear and guitars”. MusicRadar. October 7, 2011時点のオリジナルよりアーカイブ。February 24, 2018閲覧。 “Kurt Ballou: [We] also discovered punk and hardcore through skateboarding, and in turn these local bands such as Slapshot, Terminally Ill and DYS and I think we had some of the same intensity and motivation.”
Sergeant D. “THE HISTORY OF METALCORE/SCREAMO”. MetalSucks. June 10, 2010時点のオリジナルよりアーカイブ。February 25, 2018閲覧。 “While not as frequently discussed these days, the so-called “noisecore” bands of the 90s were perhaps an even more direct influence on today’s shitty metalcore artists. Rorschach and their descendants Deadguy were perhaps the first band to put a discordant take on the post-Slayer metalcore formula, [...]”
Webb, Brian (November 25, 2000). “Interview: Drowningman”. theprp.com. March 30, 2013時点のオリジナルよりアーカイブ。February 24, 2018閲覧。
“ABOUT”. Jacobbannon.com. December 27, 2016時点のオリジナルよりアーカイブ。February 24, 2018閲覧。
Mudrian 2009, p. 322. What were the lyrical influences? Dave Verellen: [...] stuff that I witnessed was usually what had an impact on me. I’d look at a social situation or whatever was going on in the world, and then just try to be creative with it. [...] I was a Joan of Arc fan, [...] and half the reason was because the guy Tim Kinsella had such weird lyrics. I’ve always been attracted to abstract stuff like that, so I think that’s where I drew most of my lyrics from.
Butterworth, Scott. “The Brilliance Behind Converge’s Unintelligible Lyrics”. Noisey. February 26, 2018時点のオリジナルよりアーカイブ。February 26, 2018閲覧。 “Jacob Bannon loves to wax poetic, so when his opaque elegies suddenly turn to simple, direct metaphors, it’s almost like your parents calling you by your full name: you stop, you notice, you listen.”
Ryan J. Downey. “History”. Alternative Press. www.crashandbang.com. April 18, 2008時点のオリジナルよりアーカイブ。February 15, 2018閲覧。
Svitil, Greg (1996年). “Jacob Bannon (Converge)”. Veilsofteeth.com. February 23, 2018時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Jacob Bannon: I feel that [bands such as] Slayer are the Spinal Tap of metal. There’s nothing to them. They’re just there, and they’re just a band that likes to write heavy, scary things. And there’s really not an emotional depth to anything they really do. It’s just all for shock value.”
“Dillinger Escape Plan Guitarist Talks New Album And Papa Roach”. Rock Sound. April 13, 2015時点のオリジナルよりアーカイブ。February 23, 2018閲覧。 “Ben Weinman: When I was growing up I discovered metal and it interested me, I liked that it was dark and talked about the fact that the world is not all puppy dogs and ice cream cones. But then it just got ridiculous, humourous, I look at black metal bands and they are suppose to be so evil. But it's not real. It's about fiction. About goblins and the gates of hell, pretty much a bad horror movie.”
Hesselink, Jasper (April 2005). “The Dillinger Escape Plan”. www.lordsofmetal.nl. December 28, 2017時点のオリジナルよりアーカイブ。February 15, 2018閲覧。 “Ben Weinman: When we first started playing in a band, we listened to a lot of bands ... even Black Flag and Dead Kennedys, who had something to say and added some honest energy.”
Gardner, Josh. “Kurt Ballou (Converge) talks gear and guitars”. MusicRadar. October 7, 2011時点のオリジナルよりアーカイブ。February 24, 2018閲覧。 “Kurt Ballou: [We] also discovered punk and hardcore through skateboarding, and in turn these local bands such as Slapshot, Terminally Ill and DYS and I think we had some of the same intensity and motivation.”
Sergeant D. “THE HISTORY OF METALCORE/SCREAMO”. MetalSucks. June 10, 2010時点のオリジナルよりアーカイブ。February 25, 2018閲覧。 “While not as frequently discussed these days, the so-called “noisecore” bands of the 90s were perhaps an even more direct influence on today’s shitty metalcore artists. Rorschach and their descendants Deadguy were perhaps the first band to put a discordant take on the post-Slayer metalcore formula, [...]”
