Slater, pp 199-200 "And [Hera] was released only when she swore to the truth of his birth story, or, in another version, promised Aphrodite to her son."
Stein, p. 11, which goes on to say: "Yet a kind of cloudy mysteriousness shrouds their relationship; no single tradition was ever clearly established on this subject, and so what confronts us is a blurred image based on rumors and conflicting reports."
Dolmage, Jay (2006). 《'Breathe Upon Us an Even Flame': Hephaestus, History, and the Body of Rhetoric》. 《Rhetoric Review》 25. 119–140 [p. 120]쪽. doi:10.1207/s15327981rr2502_1. S2CID17273927.
Dolmage, Jay (2006). 《'Breathe Upon Us an Even Flame': Hephaestus, History, and the Body of Rhetoric》. 《Rhetoric Review》 25. 119–140 [p. 120]쪽. doi:10.1207/s15327981rr2502_1. S2CID17273927.
Petersen (1902) Über die älteste etruskische Wandmälerei, pp 149ff. Rome.
The significance of the subject for the pre-history of Greek drama is argued by Webster (1958, pp 43ff.) and more recently by Hedreen (2004, pp 38–64).
T.B.L. Webster (1958) Some thoughts on the pre-history of Greek drama. Bulletin of the Institute of Classical Studies, 5, pp 43ff.