Baroc (Romanian Wikipedia)

Analysis of information sources in references of the Wikipedia article "Baroc" in Romanian language version.

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anothertravelguide.com (Global: low place; Romanian: low place)

archive.org (Global: 6th place; Romanian: 23rd place)

artic.edu (Global: 6,314th place; Romanian: 2,831st place)

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britannica.com (Global: 40th place; Romanian: 16th place)

cnrtl.fr (Global: 506th place; Romanian: 1,270th place)

  • „BAROQUE : Etymologie de BAROQUE”. www.cnrtl.fr. empr. au port. barroco « rocher granitique » et « perle irrégulière », attesté dep. le xiiie s. sous la forme barroca (Inquisitiones, p. 99, Portugaliae Monumenta Historica, 1856 sqq. dans Mach.), d'orig. obsc., prob. préromane en raison du suff. -ǒccu très répandu sur le territoire ibérique 
  • „BAROQUE : Etymologie de BAROQUE”. www.cnrtl.fr. Accesat în . 

codart.nl (Global: low place; Romanian: low place)

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  • Heal, Bridget (). „'Better Papist than Calvinist': Art and Identity in Later Lutheran Germany”. German History (în English). German History Society. 29 (4): 584–609. doi:10.1093/gerhis/ghr066. ISSN 0266-3554. 
  • Bury, J. B. (). „Late Baroque and Rococo in North Portugal”. Journal of the Society of Architectural Historians. 15 (3): 7–15. doi:10.2307/987760. JSTOR 987760. 

dukeupress.edu (Global: 7,681st place; Romanian: low place)

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etymonline.com (Global: 287th place; Romanian: 191st place)

  • „Baroque”. Online Etymological Dictionary. Accesat în . : "But Klein suggests the name may be from Italian painter Federico Barocci (1528–1612), whose work influenced the style."

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jstor.org (Global: 26th place; Romanian: 69th place)

  • Bury, J. B. (). „Late Baroque and Rococo in North Portugal”. Journal of the Society of Architectural Historians. 15 (3): 7–15. doi:10.2307/987760. JSTOR 987760. 

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  • Heal, Bridget (). „The Reformation and Lutheran Baroque” (în English). Oxford University Press. Accesat în . However, the writings of theologians can go only so far towards explaining the evolution of confessional consciousness and the shaping of religious identity. Lutheran attachment to religious images was a result not only of Luther's own cautious endorsement of their use, but also of the particular religious and political context in which his Reformation unfolded. After the reformer's death in 1546, the image question was fiercely contested once again. But as Calvinism, with its iconoclastic tendencies, spread, Germany's Lutherans responded by reaffirming their commitment to the proper use of religious images. In 1615, Berlin's Lutheran citizens even rioted when their Calvinist rulers removed images from the city's Cathedral. 

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  • Heal, Bridget (). „'Better Papist than Calvinist': Art and Identity in Later Lutheran Germany”. German History (în English). German History Society. 29 (4): 584–609. doi:10.1093/gerhis/ghr066. ISSN 0266-3554. 
  • Burckhardt, Jacob (). Der Cicerone : eine Anleitung zum Genuss der Kunstwerke Italiens. Schweighauser. p. 356. OCLC 315796790.